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'Til Beth Do Us Part

2/26/2019

 
You missed it! The one-weekend run of this Homegrown Productions comedy, but our stalwart and generous guest-reviewer, T.E. Klunzinger, was kind enough to compose this review to acknowledge the production… and so you can know what you missed!

‘TIL BETH DO US PART
On a day of ferocious wind which essentially closed the Mackinac Bridge, Homegrown Productions forged ahead to present the Jones-Hope-Wooten comedy “’Til Beth Do Us Part” in the now-elegant Wilson Center in St.Johns.
Said weather undoubtedly kept many potential attendees of this final performance inside, but at least there were more people in the audience than there were onstage, and those hardy, lucky souls were present to enjoy director Tom Webb’s spirited interpretation of what, in the writing, is perhaps one of the lesser efforts in the JHW canon which has become a staple of community theaters everywhere.
The somewhat static setup posits that aspiring Cincinnati candy-company executive Suzannah (Susan DeRosa) has become too busy to properly look after her TV-weatherman husband Gibby (Darryl Schmitz) so their recently-divorced neighbor Margo (Beth Webb) recruits “life assistant” Beth (Marci Balogh) to help Suzannah with household and professional duties. This soon works better than expected and quickly morphs into intrigue which involves Margo’s ex Hank (Bob Murrell) and the visiting London candy-company owner Celia (Jan Ross).

As noted, the accomplished cast performed the script well, blithely skipping through the sometimes-illogical plot twists which occur within a single line or two; Balogh was particularly good as the all-too-perfect Beth, while Schmitz pulled off his many sight gags with a sadsack straight face. The excellent set was comfortably realistic. And everything came together for the well-done madcap final scene, with slamming doors, double identities and just desserts.

One big question remains: since no costumer is credited, who was it that managed to find two versions of the same dress, that would fit both Bob Murrell and Jan Ross?

Advance publicity noted this one-weekend-only presentation’s status as a fundraiser to benefit the Center’s lighting system so it deserved to attract a larger audience, at least on Sunday. And for the future, do remember that when you attend an event at Wilson Center, before the show you can always read the seats.

T.E. Klunzinger

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Tarzan

2/23/2019

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​TARZAN adds yet another super musical extravaganza to the Owosso Players’ resumé. This Disney cartoon comes to vibrant life under the direction of Garrett Bradley, in an exhilarating explosion of dance and acrobatics, including lots of flying (by Foy) aerial silks, even a trampoline. (Choreography Erica Duffield — who also designed the hair and makeup.)

The set, costumes and makeup are artfully stylized to create a magical version of jungle life as we are transported into the family of gorillas who adopt the orphan infant Tarzan and raise him as one of their own.  There are 40 people in the wonderful ape ensemble. Kudos to costume designers Garrett Bradley, Lisa Bradley and Alissa Britten — and Garrett praises the many, many volunteers needed to create so many of the delightful ape costumes.

Twyla Birdsong glows with warmth and devotion as adoptive mother Kala, soaring on the popular “You’ll Be In My Heart” song. Troy Seyfert is strong and fatherly as Kerchak. Kaleb Kimerer adds that Disney-sidekick sass and humor as young Tarzan’s mentor/friend Terk. Young Tarzan is the talented Evan Worden who morphs into grown Tarzan, the engaging, golden voiced Jake Przybyla, charming both Jane and the audience. 

Mary Maurer brings a soulful curiosity to the role of Jane, arrived from a different world, the first person Tarzan sees who looks like him. She arrives in Africa with her benevolent father (Mike Windnagle) and his evil assistant/guide (Connor Kelly, whose villainy was praised by boos at the curtain call.)

All have beautiful singing voices, well supported by Musical Director Jillian Boots and her 14 piece orchestra.

This show is a dance riot and fun for the whole family, but also touches on serious issues of family, identity and tribalism.
It continues though March 3 — and is close to selling out. Make your reservations today!
https://owossoplayers.com
989.723.4003


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The Playing Politics Revue

2/21/2019

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We joined a small but appreciative audience for the Academy of Applied Absurdity’s first show: The Playing Politics Revue —something new and different at a new and different place — that deserves a bigger audience tomorrow and Saturday!

It’s a variety show, with character skits, videos, impersonations, music… Political, but not too vicious - character-driven humor written by Jeff Garrity, lifelong writer and founder of Capitol Times (1986-99) http://jeffgarrity.com — and both written and performed by Bruce Bennett, comic, pantomimist, director, actor, artist… and Kellie Stonebrook skilled at standup, ventriloquism, acting, impersonations and improv.

This group applies their absurdity in a variety of styles. There are political skits poking fun at the current chaos — Bruce’s definitive performance of Lewis Carroll’s Jaberwocky (which may reflect on today’s politics? or not?) — three prerecorded projected videos featuring Bruce and Kellie —an explanation of the psychology of comedy and jokes in a thought-provolking “Bruce Talk” (a la Ted Talk) — plus two music sets featuring the endearing song-satirist Wally Pleasant. (My favorite was the song about his frustrations with the quagmire that is our health-care/insurance system.)

The Fledge is a community startup incubator (that used to be in Grand Ledge but moved to Lansing 11 months ago) It’s easy to find, a block south of Michigan Avenue. Turn south on Holmes and there is a parking lot right across from the big white converted church building, which is on Eureka. This is where Holmes and Eureka almost meet. 
Map and tickets are at the website http://www.aaabsurd.com- and also tickets are $12 at the door. Check it out! 
This weekend only, 8 pm Friday and Saturday.

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Student Body

2/16/2019

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LCC’s Student Body is an amazing script by Frank Winters, brought to chaotic, realistic life by 11 earnest actors on the Dart Auditorium stage. Kudos to all: Emmie Paullin, Olivia Hines, Michelle Danaj, Joey Wojda III, Maria McCarthy, Kelly Robinson, Ian Van Camp, Edward Heldt, Kali Langschwager, and Miah Nash.

One character debates what to do with video evidence of a possible rape at a party, and we are barraged by the chaotic, self-serving and often conflicting opinions about “the right thing to do” — all influenced by assorted social pressures, relationships and uncertainties.

This is a complex play that raises more questions than it answers — and is sure to fuel conversation/debate on the drive home. We were privileged to have happened upon one of the Saturday shows which included a talkback with Janet Mason and Pam Davis, representatives from LCC’s Counseling/Human Services department. The varied responses of audience members enhanced the probably unresolvable debate presented by the production. Next Saturday Abby Nelson will lead the Q&A.

Director Deb Keller’s poetic director’s note is a work of art, in itself, railing at the unanswerable questions and confusions and contexts of the “human condition conundrum” and calling for compassion. 

This is a well done and provocative theatre piece. A card/insert with a detailed list of Resources to deal with sexual assault etc. is included with the program.

Student Body continues next Friday/Saturday at 8 and Sunday the 24th at 2pm at Dart Auditorium, 500 North Capitol.
http://www.lcc.edu/showinfo


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