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Review: BUG (MSU)

3/30/2015

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Tracy Letts’ BUG at MSU’s Arena Theatre is, as they say, “not for everyone” (adult language/situations, drug use.) It's a powerful experience, showcasing two “stars” of the MSU theatre making their last local performance, in their “final thesis roles.” Jacqueline Wheeler is “Agnes” and Zev Steinberg is “Peter".

Anyone who has seen August Osage County knows that this playwright does not specialize in pretty stories. This one starts slowly and spirals into a drug-crazed paranoid schizophrenia. It is also a story about “trust” as Rob Roznowski’s director’s notes say — trust reached through two damaged people seeing each other’s pain.

After seeing Zev in True West, I knew the high level of intensity he’s capable of — and Jacqueline was his match in this show. It was impressive and a little frightening to watch these two fully inhabit these challenging characters. Imani Bonner was also convincing as Agnes’s friend R. C., and Jake Samson was Agnes's appropriately formidable ex-husband.

The Arena was turned into a trashy hotel room, where we could magically see through the walls, though they still worked as barriers. Light and sound effects magnified the experience. (Set, Melissa Hunter, Lighting Kenzie Carpenter, sound Will McGee) (Kudos to the crew faced with the formidable task of returning the set to its original state after the show.)
Post show discussion on mental health  awareness Thursday April 2.

Show continues:
Wednesday, April 1, 2015 at 7:30pm
Thursday, April 2, 2015 at 7:30pm
Friday, April 3, 2015 at 8:00pm
Saturday, April 4, 2015 at 2:00pm

You can get your tickets at the box office on the Farm Lane end of the Auditorium building, and go downstairs to the Arena. Tickets are also available from the Wharton Center Box Office; 1.800.WHARTON; www.whartoncenter.com.
General Admission $10
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Review: They're Playing Our Song (LCC)

3/27/2015

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We saw LCC’s They’re Playing Our Song too late to do much good, publicity-wise, since there’s only one performance left tomorrow (Saturday) night. Thanks to Tom K. for writing his review lasltl week.) This cute excursion back to the era of disco is based on the real life relationship of composer Marvin Hamlisch and Carole Bayer Sager — who themselves wrote the music and lyrics— with a glib Neil Simon script that has the two wisecracking their way into and out of and back into their ironically troubled but simpatico relationship.

Kudos to the two leads, Sally Hecksel (Sonia) and Nathan Dome (Vernon) for tackling this demanding two-person show under the deft direction of Connie Curran Oesterle — who also met the many-settings-in-a-small-space challenge by staging little “mini shows” as “Sonia” and “Vernon’s” alter egos (Chelsea-Ann Bonofiglio, Tresa Brake, Monica Tanner, Jacob Crosby, Zack Riley and Ian Whipp) made the changes. Connie established the era well, complete with disco ball and many nostalgic songs. Over half of those played during pre-show, intermission and scene changes were written by one or both of the talented duo. 

ONE performance left: 8 pm tomorrow, Saturday, at LCC’s Black Box stage in the Gannon Building. Park on Grand Ave. and enter by the door on the south end of the building. Tickets at the door,   $5 students, $10 general public
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Review: Playing Our Song (LCC)

3/24/2015

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Thanks to “GLUT Surrogate” T.E. Klunzinger for this thoughtful review of the ONLY TWO SHOWS LEFT (next Fri/Sat at 8pm; see you there Friday!) musical that’s too easy to miss at LCC’s Black Box stage, 158 Gannon Building. (Parking on Grand by Riverfront Park and entering by the southernmost door on the Gannon building is the most direct way to get there. Alternatively, there are usually signs directing folks on a semi-complicated walk from the parking ramp.)

Here’s what Tom had to say:

THEY'RE PLAYING OUR SONG is a little gem of a show that is, on the face of it, kind of a 70's relic, what with its references to the "Union Label" song and "Give me $5 for a cab." And the basic storyline, about a mismatched but successful neurotic New York composing couple who fall in and out of love, you may have heard before. But as presented at LCC's Black Box and directed by Connie Curran Oesterle, you quickly forget about that and settle down to enjoy the many delights the show has to offer. 

Oesterle has made the bold choice of Nathan Dome as protagonist Vernon Gersch - you might think him an improbable leading man, but his melodious tenor and excellent comic timing make the part his. Sally Hecksel, so radiant in last fall's "Room With a View," complements Dome perfectly with her expressive singing as the admittedly flaky but endearing Sonia Walsk. 

What makes this show special, though, is how the potentially-ponderous scene changes are carried out: a working chorus of white-clad Alter Egos (Chelsea-Ann Bonofiglio, Tresa Brake, Monica Tanner, Jacob Crosby, Zack Riley, Ian Whipp) prance on to the stage as a disco ball descends, moving set-pieces with ease and displaying attitude as well. (Of course they got applause.) While most of the numbers are sung by one or two people, the penultimate "Fill in the Words" featuring a chorus of toy pianos (don't ask) is sweetly affecting. 

This show is billed as "a play with music" as it's a little light on the actual songs, but the sparkling Neil Simon script makes every line worth listening to/for. Speaking of sound, that was the one technical flaw - whenever there was piped-in music, it was difficult to hear the un-miked actors speaking. On the other hand, live pianist Frederick Alhaddad was right on top of all the numbers - and he even laughed at the jokes.
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Review: Vanya & Sonia & Masha & Spike (RWT)

3/22/2015

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Okay, I always admit that I’m not a fan of Shakespeare and Chekhov — so I have to also admit that I LOVE Christopher Durang… and Vanya & Sonia & Masha & Spike was right up my alley. It’s thoroughly entertaining and full of laughs, but also thought provoking, as we all face aging, and fear of change, and general existential angst about whether we have “lived” and what does that mean, anyway?

DO NOT MISS THIS SHOW — especially if you remember the 1950’s… That helps, and also having at least an acquaintance with the introspection and frustration characteristic of Chekhov plays — so you can appreciate how Durang frosts the bitter Chekhovian cupcake with a tasty layer of humor and absurdity so we can gobble it up with pleasure. This is a play that can entertain audience members of any age, but especially us Boomers. 

We are welcomed by an outstanding set, beautifully lit to create times of day, by the talented Tim Fox (with heavy duty help from Leroy Cupp and Bob Nees.) The endearing, depressed, wary, angry, defensive siblings, Vanya (Doak Bloss) and Sonia (Gini Larson) are visited by their hilarious soothsayer of a cleaning lady, Cassandra (Colleen Bethea) who brings dire warnings along with her dustpan and voodoo doll. Movie star sister Masha (Tanya Canaday Burnham) sweeps in with her “boy toy” Spike (Devin Faught.) Add the young pretty Nina (Kylie Bisel) and let the games begin.

Tanya has the perfect blend of glamour and age to be both believable and inappropriate as seducer of young Spike. She is overbearing and self-centered, but with a vulnerability that humanizes her. Devin (Spike) has that annoying sass of youth and quite flauntable body. Jealousy erupts when young Kylie (Nina) appears; she also has a childlike optimism and willingness to listen and learn that makes her a better ambassador of the next generation than hunky Spike. It is wonderful fun to see Colleen (Cassandra) let out all the stops with her unique blend of household help and voodoo/soothsayer services. 

Doak and Gini were just wonderful as the beleaguered siblings, coping with their regrets and scrounging for hope and meaning. Doak’s monologue rant is a tour de force that could be a show on it’s own.

Kudos to director Mary Job for masterfully taking over this show for the dear, departed-too-soon director Addiann Hinds. I believe Addi would approve of this production.
Vanya & Sonia & Masha & Spike continues through March 29.

www.riverwalktheatre.com
481-5700 ($15/$12) 8pm & 2pm Sundays
with Bargain Thursday at 7pm $10/$8
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