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Blithe Spirit (RWT)

10/23/2014

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There’s a reason Noel Coward’s Blithe Spirit has come back to haunt us so many times since its debut in London’s West End in 1941. The urbane farce provides ample opportunities for fun as novelist and socialite, Charles Condomine (Greg Pratt) invites Madame Arcati (Erin Hoffman) to conduct a seance as research for his novel about a homicidal medium. Charles’ wife, Ruth (Lynn Culp) plus Dr. and Mrs. Bradman (John Liskey and an excited, curious Jackie Payne) are skeptical witnesses. Arcati manages to conjure up Charles’ ex-wife, Elvira (Sarah Hauck) and the sophisticated cat fight begins. Chanae Houska as Edith the speed-challenged maid, flies under the radar.

Erin brought infectious enthusiasm to Madame Arcati, energizing every scene she was in. Steely Ruth and flighty Elvira soon had us sympathizing with poor Charles’ efforts to placate and coordinate his plotting harem. We welcome Lynn Culp, making her Riverwalk debut after a very long absence from the stage; kudos to her for pulling off such a demanding role as Ruth. Greg, as well, is to be applauded for tackling the line-packed role of Charles, wavering from aplomb to exasperation. Though we have seen him in smaller roles, this one ups his game.
Director Sue Chmurynsky has assembled this classic, with major artistic help from Assistant Director/Stage Manager/Hair & Makeup/Scenographer (lovely carpet painting) Eric Chatfield, who also helped design the elegant set. I’m told that the lighting technician was ill on opening night and the all-purpose Tom Ferris stepped in to operate Ted Daniel’s otherworldly lighting plot.

Blithe Spirit continues through November 2 - 7pm Bargain Thursdays ($10/$8) and 8pm Fri/Sat and 2pm Sun ($15/$12)www.riverwalktheatre.com482-5700
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What Is Susan’s Secret? (STL)

10/17/2014

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10/18-26 - “Farce: a comic dramatic work using buffoonery and horseplay and typically including crude characterization and ludicrously improbable situations” - that defines the escapist fun being served up at Starlight Dinner Theatre in What Is Susan’s Secret?, an American Farce by Michael and Susan Parker, directed by Lisa Sodman Elzinga. 

Beth Webb and Kris Klaver deserve purple hearts for mastering tremendous amount of crazy mixed up lines as Kris schizophrenically escapes into assorted historic adventures and alternate identities. Neither can remember whom they were married to when whatEVer happened… both seem to be drifting into senility.

But sweet, unassuming Susan (Beth Webb) has enough wits about her to have concocted a scheme to offer huge discounts to various repair tradesmen, getting them to sign contracts whose fine print obligates them to make repairs to their inn. An unsuspecting plumber, tile layer, carpenter and electrician are recruited to do work they never expected. Their wives and girlfriends, a sister, a minister, a kinky hotel/inn reviewer….twelve wildly assorted guests are portrayed by four different actors, lobbing laughs right and left through this comic contrivance of capers in-and-out-the-doors.

Laura Croff Wheaton’s comic timing and antic characterizations shine as a blubbering newlywed, a drunk married to the world’s most boring man, and a sexy/embarrassed young woman trying to pass her boyfriend off as an electrician while also hiding him from her minister. Linda Granger shows her range as a skeptical put-upon plumber’s wife, a sex-kitten having an affair with the critic from “Country Inns Magazine” and finally a laughably tough retired military engineer. 

MD Nelson was appropriately baffled as the new husband trying to figure out why his wife was in tears, and then wonderfully boring as the carpenter (who’d had “charisma bypass” surgery according to his wife)...and then he juggled in an extra character as he ricocheted between being Paul and Pauline to keep up one of the improbable pretenses. Mike Mahoney brought contrast, humor and sincerity to his confused plumber, amorous inn critic, and affable “hog-riding” preacher.

All characters managed to be so different, it was surprising when the curtain call only had six actors.

If you’re in the mood for a nice dinner (International/Lansing Catering: chicken, mixed vegetables, roast potatoes, roll, salad, cheesecake, lemonade, coffee) and a fun, escapist show call 243-6040 or visit StarlightDinnerTheatre.com. 
$36 with dinner at 6:30 ( $33 seniors (62+) and students (13 -22) • $20 children (12 and under); $15 for show only at 7:30 - show-only tickets available at the door; meal requires reservations.

Waverly East Intermediate school 3131 W. Michigan, Lansing 48917 - enter on the east side of the building.Saturday the 18th, Friday/Saturday the 24th-25th 

NOTE the NEW “dessert only” matinee on the last Sunday, the 26thdessert and beverage served at 1:30 pm.; show begins at 2 pm. $20 regular, seniors (62+) & students (13-22) $13 children 12 and under

StarlightDinnerTheatre.com - 517- 243-6040
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ONCE (WTN)

10/14/2014

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ONCE at the Wharton Center is a "once" in my lifetime experience of seeing a stage full of quadruple-threat performers: singing, dancing, acting — and playing multiple musical instruments. The songs began informally as the audience milled around the bar set on stage where they could see the set up close and also purchase soft drinks. The music ranged from rousing and raucous to wistful and heartfelt. One angelic a capella song showcased the cast's perfect blend, even without their instruments.

The 13 performers served as the orchestra, (guitars, mandolins, banjo, drums, percussion, piano, melodica, harmonica, accordion concertina, ukulele, cello, electric bass, violins) all beautifully choreographed, sometimes dancing with their instruments, and stylishly moving set pieces as part of the dance through the rustic mirrored-bar set, with a ballet of chairs and tables, a piano and a "hoover." One scene stood actors on top of the set, overlooking the lights of Dublin, which appeared below in the darkened bar (and on one reclining actor) to magical effect. 

Three different actors are sharing the lead; we saw Alex Nee, as "Guy"; Stuart Ward and Ryan Link appear other days. A few other roles are "juggled" throughout the run. "Billy" (Evan Harrington) brought antic moments of humor as the bar owner — but for the most part, this was a wistful, poignant, bittersweet tale of inspiration and love that is "requited" in ways we may not expect. Dani de Waal was a charming spark of life as "Girl" drawing "Guy" out of his depression and into his music and a more hopeful future.

My only complaint is that I would have preferred to see such an intimate show in a more intimate setting. We were in row G, but I still felt too far away to fully register the subtle emotions at play. I wished we were at Riverwalk, where you can "see the whites of their eyes." (Maybe bringing binoculars would be a good idea?) 

The beautiful ONCE continues through Sunday.Wed/Thur  7:30 pm Fri  8:00 pm Sat  2:00 pm AND 8:00 pm Sun 1:00 pm AND  6:30 pm
www.whartoncenter.com
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 CARRIE the Musical (MSU)

10/11/2014

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CARRIE the Musical, on MSU's Pasant Stage in Wharton Center, is a powerful, teenage tragedy. This iconic novel/movie has been revived and retooled after its unsuccessful 1988 Broadway run. (music Michael Gore, book Lawrence D Gohen, lyrics Dean Pritchford) This new version is well realized by guest director/choreographer Joe Barros, bringing this Stephen King horror story to life in today's world of cyber-bullying and school shootings. 

It's what you might call "the dark side of high school musical" - with blaring anthems of angst and revenge, and some great dancing, supported by a nine-piece orchestra under the direction of Dave Wendelberger. The "mean girl" and her followers torment the outcast daughter of a troubled mother, whose love has been turned deadly by religion - powerfully played by Jacqueline Wheeler. 

All the leads are strong:  Caitlin Dunlap as the repressed and then explosive Carrie; Katie Maggert as Sue, the "missing link" between the mob and Carrie, trying to fight the tribal urge to turn on the outcast; Blaine Mizer as the well-meaning boyfriend Tommy; Whitney Bunn as the vengeful better-to-strike-than-get-struck Chris; Sarah Goeke as the gym teacher who tries to help.

As usual, the MSU "media" enhanced Matthew Imhoff's creative, dynamically mobile, blood-stained set with projections (by Christopher Haug) most often enhancing but occasionally distracting. Cell phones were used throughout to spread the mob mentality and create lighting effects. A rising and retreating stage platform, and rolling, rotating bleachers delivered smooth and striking scene changes. The dramatic telekinetic ending packs a punch.

This tragically entertaining musical continues:
*Sunday, October 12, 2014 at 2:00pm
Wednesday, October 15, 2014 at 7:30pm 
**Thursday, October 16, 2014 at 7:30pm 
Friday, October 17, 2014 at 8:00pm
* Designer Pre-Show Discussion Sunday, October 12, 2014 at 1:15 PM
** Post-Show Discussion on Thursday, October 16, 2014 (Following the Performance)

TICKETS ARE AVAILABLE from the Wharton Center Box Office, 1.800.WHARTON, whartoncenter.com
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