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Beau Jest

11/27/2017

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BEAU JEST at Williamston Theatre strikes a perfect balance between tension and energy — frantic enough to be funny and sincere enough to be touching. It’s a well crafted script by James Sherman in which desperate mother-pleaser Sarah hires a stand-in boyfriend in response to her mother’s when-are-you-going-to-find-a-nice-Jewish-boy badgering. 

He is neither Jewish nor a doctor — but an endearing charmer who rises to the challenge of his new identity with interesting levels of acting like he’s acting — yet subtly letting us in on his “What?!” moments, well played by Michael Lopetrone. Mom Sarah Birch is the perfect Jewish mother, lovable but invasive. Daughter Sarah (Vanessa Sawson) sweeps us up in her desperation and charm as she juggles “real” non-Jewish boyfriend (a sweet and earnest David Wolber) with her unnervingly adorable hired stand-in. Fred Buchalter shines as the fatherly mensch Abe.

Jewish folks will have an extra layer of fun with this show (my husband reports that Abe brought back fond memories of his Uncle Henry) — but the crazy, heartwarming, family dynamics are universal. Any of us can lose his/her identity in an effort to please others. Through lots of laughter, this show offers real insights, led by psychologist brother Joel (Patrick Loos) who is excellent in a smaller role, line-wise, but with a lot going on in his eyes as he observes and ultimately questions the ongoing charade.

Special props to director Tony Caselli, who created a fluid, natural blocking in this homey but challenging theatre-in-the-round apartment set (Bartley H. Bauer). The scene changes by the actors were beautifully choreographed to energetic music  (sound design John Lepard.)

If you’ve never seen Beau Jest before — or even if you have — don’t miss this excellent rendition.
www.williamstontheatre.org


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The Emperor's New Clothes

11/27/2017

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​I have fond memories of playing the empress 19 years ago when BILL Helder directed Stan Gill’s Emperor’s New Clothes, so it was fun to see it this time under the direction of LEE Helder who was also responsible for the fabulous, “visible” costumes with the help of Susan Chmurynsky with exotic hats by Mary K. Hodges-Nees who also did scenography on the ornate set “west of China and east of Almost everywhere else.”
 Laura Johnson and Kelly Jo Garland were deviously cute as the tricky Tailors - and it was great to see Kelly’s stage debut after her many backstage roles. Jester Sandy Thomasson was an animated narrator with sage and fretful Sorcerer Dan Pappas and trusty Cook Sarah Schimm. They all joined the nervous empress, Maribeth Robertson, in distraught pretense of admiration when examining the cloth that wasn’t there. Vain fashionista Emperor Lee Purdy paraded proudly in his underwear- more comfortable attire than last year’s infamous dragon costume. Kudos also go to onstage keyboard and gong-master James Geer, who also served as Music Director.
Emperor continues through next weekend (note the times/prices were wrong in LSJ’s otherwise nice preview article) 7 pm Fri/2 & 4:30 Sat/2pm Sun $10 adults age 13+;$8 children 
www.riverwalktheatre.com - 482-5700
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Hansel and Gretel Opera

11/16/2017

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​The MSU Opera Theatre has produced another celebration of opera, this time with a fairy-tale tone: Englebert Humperdink's Hansel and Gretel. It’s in English, with super-titles that are still helpful/needed to get every word, some of which are silly and fun in Cori Elison’s modern translation. It is a little over two hours, including intermission, so not ideal for preschoolers, but older children will appreciate the spirited brother/sister antics of the fabled siblings, under the able direction of Melanie Helton. A synopsis of the story is included in the program.

We are first struck by the luxurious MSU Symphony Orchestra of 44, under the direction of Steven Mosteller, filling the room with the beautiful overture. Then the evocative sets emerge (Elinore Loomis), with moving projections (Peter Johnston), humble home, spooky forest, and seductive cookie house — with ominous oven in the yard (complete with flickering “fire” in the window) — wonderful to behold. 

Frosting on the cookie are the talented youth groups adding to the magical tale: “Gingerbread Children” from the MSU Children’s Chorus and and “Angels” from the Capital Ballet Theatre are adorable and talented.

As usual, there is a double cast - We saw Laura Broscow and Suzanna Feldkamp as Gretel and Hansel, with Mother, Anna Montgomery; Father, Gabriel Reitmeier; Witch, Jenna Buck; Sandman, Juliana Rowley; and Dew Fairy, Quinn Rulison — all have magnificent voices and reveled in their characters.

Hansel and Gretel continues through Sunday (No Saturday Show)
 8pm Friday and 3pm, Sunday in Fairchild Theatre — the “back” of MSU Auditorium Building, corner of Farm Lane and Auditorium.

http://music.msu.edu/event-listing/hansel-and-gretel-by-engelbert-humperdinck

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An American in Paris

11/14/2017

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An American in Paris at Wharton Center is a magical celebration of dance and music and art. The iconic Gershwin songs are thrilling, interlaced in the postwar Parisian romance where we all join Jerry and Adam and Henri in falling in love with the winsome dancer, Lise. 

McGee Maddox and Allison Walsh have great chemistry and are amazing dancers in the lead roles as Jerry and Lise. Matthew Scott ad Ben Michael shine as Adam and Henri — with the sophisticated Kirsten Scott adding complications as competing love interest Milo Davenport, whose fortune is backing the new ballet. 

I was impressed by the choreography — not only the ballet, jazz, modern dance (Director/choreographer Chris Wheeden) — but also of the set, with fluid moving projections, partnering with rolling set pieces to create an ever-changing, magical Paris that greatly enhanced the music and dance. (Projection design by 59 Productions.)

This post World War II story feels ironically nostalgic and modern at the same time. It is an exhilarating, romantic new/old classic.

An American in Paris continues through November 19.
http://www.whartoncenter.com

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