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Act Free

11/16/2020

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​Artist/author/director Julian Van Dyke has added a cinematic dimension to Act Free, his selection in Riverwalk’s series, Short Plays for an Antiracist Tomorrow by Idris Goodwin. Julian’s screenplay includes “on location” scenes that bring to life the rural farm setting of young slaves just finding out they’ve been free for a long time and didn’t know it. Two spirituals sung by Sounds of Blackness set the mood at the beginning and the end.

Kemar Williams is especially convincing and earnest as the deliverer of the news — provoking disbelief, confusion and discussion of what it means to “act free” among his enslaved friends James (Jay) Williams and Carrigan Van Dyke. Welcome these young actors to Riverwalk’s virtual stage.

This is short, as advertised, only about 10 minutes. Juneteenth is only 8 minutes. Black Flag is 23 minutes, and earns its time. I encourage you to go to Riverwalk’s Youtube channel and watch them all. Two more coming on the next two Mondays at 7. I found the picture quality to be noticably clearer on Youtube than it was on Facebook.
https://www.youtube.com/channel/UCNn-HpMtd9r5EaIauCC6vCg


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The Big One-Oh

11/13/2020

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Wow — this little gem from Okemos High School is the fanciest show yet in our recent array of Zoom Box video substitutes for LIVE theatre. The Big One-Oh is a charming little musical based on the novel by Dean Pitchford about Charlie’s birthday party-planning adventures amid "monsters and maniacs” and other fun characters.

This has the feel of a real musical — complete heartfelt solos and big musical numbers and choreography. Lead “10 year old Charlie” was well played with boyish charm and a lovely singing voice by Miles Nowlin. Potential Friend Jennifer played by Olivia Parker was also outstanding. The whole cast of seeming thousands (15) was very good. (I particularly enjoyed Simon Rebeck’s “monster” portrayal.) 

Kudos to the “management” who made this video coalesce and “pop”: Director Chad Dekatch, Music Director Claire Belamy, Choreographer Karyn Perry (who proves you can dance from the waist up) Tech Director Matt Ottinger, Sound Engineer Brandon Hook, Producer Amanda Dekatch, Assistant Music Director Michaela Larson, Melinda Schultz Costumes and Props, and Lauren Schultz Student Assistant Director. (I don’t know if Melinda was also responsible for makeup, but the “monsters and maniacs” had some wonderful faces.)

Seriously, this is $5 well spent.

ONLY TWO SHOWS LEFT — TOMORROW, Saturday 11/14 at both 2:30 and 7pm
The Big One-Oh! Tickets:
All tickets - $5.00/household
Tickets can be purchased online at http://www.OKEMOSTHEATRE.com. 
If you have any questions regarding tickets please email us at mailto:[email protected].

Order tickets as soon as possible. I got my password email about an hour after I got my receipt for the $5. You will have a two hour window during which to watch this 25 minute show as many times as you want. And you really might want to watch it more than once; it’s adorable!

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Black Flag

11/11/2020

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Another win for Riverwalk's compelling series Five Short Plays Toward an Antiracist Tomorrow! 

Like the first one (Nothing Rhymes with Juneteenth) “Black Flag” blooms under the directorial hand of Rico Bruce Wade, experienced producer, director, performer and writer. Camera placement and the direction of actors’ gaze defy the zoom boxes to create a sense of people in the same room. 

Again, a great cast. Michelle Clark is excellent in a nuanced role as the Black student with a southern white roommate (Amanda Victory) who displays the problematic flag. The always convincing Connor Kelly serves as a catalyst in this well written exploration of the roommates’ evolving relationship. (My only quibble was to wish Amanda had a more convincing southern accent. The rest of her performance was very good, especially for a professed “newbie.”)

This video is 22 minutes long, and has the “feel” of a real play, with three mini-acts. You can also find “programs” for these shows on Riverwalk's Facebook page, including bios.

This show, and the first (and eventually all five “Short Plays for an Antiracist Tomorrow") can be watched any time at https://www.youtube.com/results?search_query=riverwalk+theatre and also at the Riverwalk Facebook page where it may appear on the feed — or if not, pull down the “more” menu and choose “videos.”

Three more short plays being added the next three Mondays! Stay tuned…

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ImaGen: MEDUSA

11/8/2020

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ImaGen: MEDUSA
Thanks to Guest Reviewer T.E. Klunzinger

This is not really a show, but a presentation about the creation of a show – a kind of documentary, if you will. And although it’s online, it costs a little money.

To refresh, MSU’s ImaGen program has been going for 7 to 9 years (depending on you how count) and until now has had this form: the creators of a new musical are invited to submit their work in October/November of a given year. One show is selected and during the ensuing months a paid core creative team (such as director, music director, lead performers) is gathered by the creators. Then in early September of the following year, that team arrives on the MSU campus to teach master classes and conduct an intensive two-week workshop with perhaps 20 current MSU theatre students, and then the finished product is presented as a staged concert reading with three performances in the Wharton Center’s Pasant Theatre.

This year, of course, it’s very different and this presentation provides insight into the development process for a new musical, albeit one which just now falls short of achieving an actual stage.

If you know anything about Greek mythology, you know that much of it is about bad things happening to various gods and demigods, with presumed lessons for the common folk. Given that, “Medusa” is a particular downer, in that she’s raped by Poseidon and when she tries to bring him to account, she’s said to have snakes in her hair … which she then does.

This is not, therefore, a fun show, although co-creators Wes Braver and Rachel Dean obviously thought it’s worth pursuing. Their score has a dark energy which pulses through the many complex rhythms and jazz-infused performance style – there are no flights of lyricism here.

In Zoom style, we get to see some familiar MSU performers in standout solos, such as Darah Donaher, Marshall Ross and Claire Wilcher, along with the lead Equity players and the many other MSU performers in their little boxes., and everything being skillfully put together by a considerable list of editors.

But really, the value of this presentation comes in being able to be part of the rehearsal process – albeit via Zoom, classes included – which makes it clear that while the ImaGen program certainly helps give notice to new works, its lasting contribution is of immersing theatre students in the exciting process of making new theatre happen.

MEDUSA will be presented only one more time (perhaps because of Equity constraints) this Sunday, November 8 at 2:00 pm. The program lasts one hour and tickets can be purchased (for $16.59 each) through http://WhartonCenter.com.

Post-Show Discussion

We invite you to join us Sunday, November 8, immediately following the documentary for a discussion of the production with Dan Smith, Assistant Professor of Theatre Studies and Dramaturgy. This discussion will take place on Zoom, a different platform than you will use to access the documentary. You can join us either online or by phone using the information below:

Medusa Post-Show Discussion
Sunday, November 8, after the documentary

https://msu.zoom.us/j/91363206184
Meeting ID: 913 6320 6184
Passcode: Medusa

 Dial by your location
        +1 646 876 9923 US (New York)
        +1 301 715 8592 US (Germantown)
        +1 312 626 6799 US (Chicago)
        +1 669 900 6833 US (San Jose)
        +1 253 215 8782 US (Tacoma)
        +1 346 248 7799 US (Houston)
Meeting ID: 913 6320 6184
Find your local number: https://msu.zoom.us/u/acxIDodus5

​
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