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The Music Man (BLP)

2/21/2015

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The Blue Light Players have added a third “grown up” show to their evolution of entertainments dedicated to raising funds for the families of fallen police officers to nurture an appreciation for the arts while giving back to the community. (In earlier years, they produced variety shows with young performers.)

Music Man has a special place in my heart since it was my high school senior show (I was Mayor’s wife, Eulalie) so I had to stop myself from singing along to all the familiar tunes (Till There Was You, 76 Trombones, Marian, Trouble…) The touching Goodnight My Someone was dedicated to fallen officers deputy Grant Whitacker and Trooper Jeffrey Werda, with an honor guard presenting flowers to their families in the audience during that song.

Blue Light’s cast of 39 enthusiastic “Iowans” was  directed by Helen Hart and Daniel Southwell, and well choreographed for non-dancers by Helen Hart and Karyn Koenigschecht. (I especially liked the library “Marian” dance.) The music was beautiful, but prerecorded, and I would have liked to have heard a little more of it to cover the many scene changes, which were quick (5 to 15 seconds) but still created some silent black “gaps” which impeded the flow. 

Blue Light “star” John-Weston Hart Franke played a charming Harold Hill, but seemed a little fresh-faced and young to be convincing as the shyster salesman. Greg Martin as sidekick Marcellus was very good, and seemed to have a little more of the con-man in him. Paula Sheynerman shone as Marian, at first stubbornly skeptical, but eventually won over by the spirit-lifting effect of the salesman’s magic on the whole town, especially her withdrawn brother, the cute Wyatt Beasley. Elizabeth Johnson was the meddling Irish mother Mrs. Paroo, and Jeff Kennedy and Rachel Mender brought the humor as the mayor and his wife. Music Director Jack Meloche led the wonderful barbershop quartet, also featuring Doug Phillips, Nico Berroa and Michael Tessin.

Hannah Center was packed for this show, so make your reservations at the website: www.bluelightplayers.com - $15 each, continuing tomorrow…today?! Saturday (We did stop off at the Farewell to Evan party, so this is coming later than usual!) and also next Friday & Saturday — all at 7PM - not 8, so note the earlier time!
www.bluelightplayers.com
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ALL SHOOK UP (BLP)

2/21/2014

 
All Shook Up by the Blue Light Players is a joyful evening of Elvis Presley songs — both a spoof of, and an homage to, the 50's. At first it seems just a silly and contrived framework for the popular songs but it also addresses some real issues: interracial dating/marriage and questioning one's sexual orientation. It's a refreshing blend of nostalgia, camp, and fun, with a surprising dash of "message."  The cross-dressing and mistaken-identity romance are reminiscent of 12th Night and other Shakespeare comedies.

Director Helen Hart tells me this is the "original" All Shook Up developed in 2004 which deals directly with the race issue. Apparently there was another version that tempered this as a "class" issue. Certainly the two African American actresses Traci Gibson and Cahlia Lanier were highlights of this show -- as were the Hart Franke brothers Philip and John-Weston as hip-swiveling roustabout and nerdy suitor, respectively.  Molly Ostrem was versatile and endearing as Natalie the mechanic and her alter-ego, "Ed." Rachel Mender was a hoot as the repressive, hot-pink Mayor, trying to enforce the Mamie Eisenhower Decency Act in a constant stream of talk, silencing her Sheriff sidekick (Jeff Warder) at every turn, as she hunted down her "wayward" son (Eric Figura).

Mark and I were pleased to see some Riverwalk Follies veterans:  David Mackson as the charming widower rediscovering his passion with a crush on the lovely, elusive Miss Sandra (Rachel Doriean) -- and Michael Chan, shining in the many ambitious dance numbers that managed to get everybody rocking, even those without Michael's grace and training. Kudos to the choreography team of Helen Hart and son John.

The music was prerecorded, and the scene changes, though quick, were done with full curtain pulling, which did bring in a few pauses - but the enthusiasm and energy rolled on, with 24 Elvis hits from Heartbreak Hotel to Can't Help Falling in Love. The ensemble included 22 adult and college-age actors plus a  children's cast of 10 added to select numbers.

ONE WEEKEND ONLY!7 pm Saturday4 pm Sunday
Hannah Center on Abbot Road, East Lansing

Tickets at the door $15.00/each or
Purchased Online Via Credit Card For $17.00/each - there is a link at www.bluelightplayers.com
Blue Light Players is a musical theatre group dedicated to raising funds for the families of fallen police officers. 

BLP's "Chicago"

3/2/2013

 
CHICAGO!  The youthful Blue Light Players have really stepped up to produce their full length "grownup" musical. I'm in a rush to write this, since there's only ONE PERFORMANCE LEFT 7pm tonight, Saturday $15 at the door - Hannah Center on Abbot Rd. in East Lansing. Hope maybe SOME will read this in time to dash out for this musical treat.

The cast of 20 was a well oiled singing and dancing machine - with this mostly music show, full of "Fosse-esque" dance and a lot of style, but not too bawdy for its youthful stars. The music was prerecorded orchestration for that "complete" sound - but that prerecording imposes a discipline for the cast to stay tethered to the recording, and I had the feeling they might have speeded up and had a little more momentum with live accompaniment.

All four leads were excellent, and are "veterans" even at their young ages: Emily Haddick, Gabrielle Disbrow, Philip Hart Franke and John-Weston Hart Franke - singing/dancing charmers, all. Mike Stewart designed the dramatic lighting, with footlights and side-shadow spotlights. The choreography was impressive, done by director Helen Hart, as well as John Hart Franke with help from Dance Instructor Danielle Cabule - and Traci Gibson was music director - produced and directed by Helen Hart and Daniel Southwell.

Chicago is a fun but cynical musical that casts a jaundiced eye on human nature -- with lots of humor, tongue-in-cheek pathos, and popular songs such as All That Jazz, Razzle Dazzle 'Em, Mr. Cellophane... and many more. Head out to Hannah Center tonight and support this group that raises funds for the families of fallen police officers.
www.bluelightplayers.com

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    Read more about Jane and the creation of the G.L.U.T. on the "About G.L.U.T." page.

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