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The Gin Game

3/30/2019

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The Gin Game is D.L. Colburn’s tragicomedy — or comitragedy? —that has been his most successful script, brought to life by many esteemed elder-actors, such as Hume Cronyn and Jessica Tandy, Dick Van Dyke and Mary Tyler Moore, John Peakes and Carmen Decker… and Williamston Theatre’s Ruth Crawford and Hugh Maguire — under the direction of John Lepard — lift the script to an amusing, touching, involving level.

Neither Weller or Fonsia has visitors on visitor’s day at the old folks home. Relatively recent residents, they share self-mocking banter about aging and disparage the other residents who are less able than they. A potential friendship is sparked when Weller teaches Fonsia how to play gin rummy but then the newbie coyly starts winning game after game. 

On the framework of many games of gin hang Issues of aging and broken relationships of the past. Veneers and lies are peeled away and repeated game losses provoke Weller’s irascibility, building to anger and ultimately to a rage that is about more than the gin game. Are we winning/losing at life, itself? 

Ruth Crawford has a history of excellence in many Williamston shows including A Painted Window, Christmas Carol , Miracle on South Division Street and Old Love. She lives up to her reputation, offering a multi-layered Fonsia. Hugh Maguire is doing his first Williamston show since the well-remembered Leaving Iowa. He manages to be a sympathetic character, despite his cranky outbursts. The potential for later-life-love is a carrot that dangles temptingly on this stage.

The set is maybe a little too nice (Gabriella Csapo) since this is not supposed to be a high-end establishment. But it works well, with overheard sounds modulated with the opening/closing of the sliding patio door. (Sound Design Julia Garlotte.) And I liked the touch of the orderly/caregiver-costumed Kevin Craig delivering pills to Fonsia as part of one of his prop-moving scene changes.

The Gin Game continues through April 20 8 pm Thur/Fri, 3 pm & 8 pm Sat, 2pm Sun
www.williamstontheatre.org

btw, if you want a more erudite review of this production, check out Ken Glickman’s take at glickarts.blogspot.com


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Review: The Decade Dance

4/9/2016

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​3/31 - 5/1 - Williamston Theatre has another Joseph Zettelmaier world-premiere hit on their hands: THE DECADE DANCE. 

This engaging new script hits that sweet spot between the heart and the brain. Nina, an African American civil rights activist, hooks up with Roger, during a Kent State rally. Their one-night stand turns into a ten-year trip, cleverly intertwined with historical events and social issues. These two are figuring out who they are as our country does some growing up, too. The history never seems forced, but acts as a natural backdrop helping us get to know these people.

Those of us who lived through the 70s will bring our own historical backdrop, so we can more easily relate to this unlikely couple. They “dance” through the decade in ten specifically dated scenes that offer romance, history, laughs and insights. Younger audiences will also enjoy it, since the relationship between these two characters is strong enough to intrigue us, even without the nostalgia factor.

Both actors bring a genuine sincerity and charm as they grow up before our eyes. Nina Mitchenor flows naturally from righteous anger through humor and nurturing as the activist Nina. Mitchell Koory is a charming comic-book guy with “issues,” complete with that great 70’s mustache and hair. 

The set (Bartley Bauer) features a wonderful arch of iconic 70s images and a versatile set of rolling couch/cube parts that become many locations. The set changes were danced into place backed by pop hits of the era (sound, Julia Garlotte). I believe the changes were done by Madelayne Shammas and Derek Ridge (listed as “crew”) who channeled a dash of disco, to the delight of the audience.

Conversation Sunday: April 24, 2016 - 4pm after the show - open to all, even those who saw the show on a different day.

www.williamstontheatre.com
(517) 655-SHOW (7469)
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Review: Rounding Third (WT)

10/10/2015

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ROUNDING THIRD is another winner from Williamston Theatre. We had missed this favorite from Williamston’s first season, and were pleased it got a revival in their 10th. It’s an entertaining, warm-hearted look at life through the lens of Little League Baseball. The set (Amber Marisa Cook) is well dressed with baseball props and signs that switch quickly to bar/van/game mode with a few quick adjustments enhanced by an effective backdrop-mesh lighting gobo (Shannon Schweitzer). The players are in our imaginations —brought to life with sound (Jason Painter Price) and author Richard Dresser’s dialogue — but the coaches are very real. 

The established coach (John Lepard) and his new assistant (Tobin Hissong) clash in their approaches to the game, their sons, and their lives, creating an awkward collaboration and testing ground for both. Under the deft direction of Tony Casselli, it’s one of those special scripts that dances easily between comedy and drama, never leaning too hard either way. As the play progresses, we see each of these characters grow beyond simplistic proponents of “winning” versus “having fun” to explore the complexities of power/status/courage/faith/relationships. 

You don’t have to be a baseball/Little League fan to enjoy this show, but anyone who does have such sports connections will love it even more.
Continues through November 1 

www.williamstontheatre.com
517-655-7469
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Review: Sirens (WT)

4/9/2015

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SIRENS is another charmer from Williamston Theatre. Deborah Zoe Laufer’s funny and thought-provoking script skips from reality to fantasy to …? A 25th anniversary couple celebrates and confounds each other in search of inspiration, meaning, connection, and the “siren song” of the ghosts of lost youth. Their cruise around the Greek islands offers a literal and figurative dive off the deep end as Sam (John Siebert) leaps off the boat in a beautifully orchestrated fabric-ocean effect, washing up on an island inhabited by a sadistically charming young Siren, addicted to cell phone games, and luring sailors to their deaths with her captivating song.

Siebert and his real-life and on-stage wife “Rose” (Terry Heck) are, appropriately, both annoying and charming as they portray a couple we can identify with — ably aided by MSU actors Katie Noyes as the Siren (also as Leah and the Waitress) and Mark Schenfisch as Rose’s long-lost-found boyfriend.

The set is simple and versatile (Matthew Imhoff) with lighting (Shannon T. Schweitzer) seamlessly transporting us from travel agent’s office to ship, to ocean to island, to restaurant. 
Tony Caselli directs this parable of midlife crisis with warmth and a lighthearted touch combining “the fantastical and the mundane.” It is short (about an hour and 20 minutes, no intermission) and will give you something to laugh about at the theatre and talk about on the way home. 

Sirens continues through April 26.www.williamstontheatre.com
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