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The Bacchae

4/12/2019

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​Okay… not unlike Shakespeare, Greek Tragedy is a little beyond my mental capabilities and theatrical tastes. That said, The Bacchae on MSU’s Wharton Center Pasant Stage is impressive; I can respect it even if I didn’t like it. 

The production is a mash up of Greek Tragedy and Kabuki Theatre — very stylized and powerful — and also confusing if you’re not familiar with the myths and gods of Euripides’s day (405 B.C.) Dan Smith’s dramaturg note is helpful, but not enough for me to completely follow the plot. Let’s just say Dionysus is pretty good at revenge and the promised tragedy is artistically delivered, with the help of a well crafted prop. 

Director David Furimoto is an expert in Asian theatre forms and techniques. This was an empowering acting exercise for the students, as some testified in the talk-back that followed. All were committed to the intensity of this disciplined presentation. Beautifully painted turning panels set the Asian scene and the costumes were elegant and stylized. Traditional music and drumming also enhanced the production. The performance runs about an hour and 45 minutes with no intermission. 

I've just been alerted to a complete plot summary on MSU's website that  will be a good preparation read for future audiences.  http://theatre.msu.edu/files/9015/5509/8192/Bacchae_Plot_Summary_and_Explanations.pdf?fbclid=IwAR2Q5vgkTNzXKxcElYJrGC_Znn3A4auanJxy5Hw9aICpOFPLUgdymgvOFck
​
The Bacchae continues through April 21 

http://theatre.msu.edu/productions/past-seasons/20182019season/bacchae/


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Three Tall Women

3/29/2019

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by guest reviewer T.E. Klunzinger

This play was the “second act” in Edward Albee’s long creative life, premiering in New York 25 years ago when he was generally considered to have burned out: in a spectacular rebound, he won the Pulitzer Prize for this witty, incisive look at the truths each generation must learn.

You’ll have to hustle to embrace the brilliance, since MSU’s student-driven Second Stage Productions has just two more shows in their Arena Theater, this Saturday at 7 pm and Sunday at 2 pm, cost $5. (“Women” is rarely done in our neighborhood due to casting requirements noted below.)

The Women have no names, just ages: “A” is 92, “B” is 52 and “C” is 26. (There is also The Boy [Quentin Nottage] who has no lines.) The real-time first act shows A in her dotage, principally cared for by B with some assistance from C. In the expansive second act, they become young-old-older versions of the same woman and get to bark good lines at each other.

Chloe Brandt excels as A, delivering her enormous initial line load with a well-controlled crankiness. Joie Raymond is all smooth moves as B, crisply professional in the first act, then jaded and cynical in the second, while Shelby Romatz’ C is actually somewhat more appealing in the first act than the pathetically naïve version in the second. They play off each other very well.

HOWEVER, as I am wont to say in such cases, “age has its own authority”: Glenda Jackson was 82 when she won last year’s Lead Actress Tony and Laurie Metcalf 62 when winning Supporting Actress. Outside of the fun snappiness of Act One, Albee’s demonstrative epiphany in Act Two is, “What if our generations could speak to each other? Would it make any difference?” No matter how well performed, the play loses some of its punch when all the women are about 20.

That said, this is an excellent production directed by Marshall Ross, of a seminal work by one of our greatest 20th Century playwrights. You should try to see it, if only because the play may not come this way again anytime soon.  

Saturday, March 30, at 7:00pm
Sunday, March 31, at 2:00pm
Arena Theatre - lower level of MSU Auditorium Building
Tickets: $5
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A Wrinkle in Time

3/15/2019

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​Playwright Tracy Young has transformed Madeleine’s classic young adult novel A Wrinkle in Timeinto a wild theatrical ride to unimaginable dimensions. Director Ryan Patrick Walsh has built these magic dimensions transforming Michael Gault’s versatile four-pillar Arena set with impressive lighting (Daniel Jaworski) sound (Joey Lancour) and media projections (Alison Dobbins) — populating it with remarkable characters and choreographed creatures, sometimes literally constructed from the 15 “readers” in the cast — with the help of wonderful costume/accessories (Grace Foiles.)

Our at-first-underestimated heroine, Meg Murray (Anna Ryzenga) is the heart of the show. Besides Meg the other characters are identified only by Reader # in the cast list — though some are further identified in their bios. My apologies for not being able to identify who played the younger brother, Charles Wallace, with such charm and energy. Claire Wilcher was particularly magical as Mrs. Whatsit. I was told that Cameron Michael Chase was the dog, among other things — excellent canine abstraction.

With the help of the mysterious Mrs. Whatsit, Mrs. Who (Darah Donaher) and Mrs. Which (Heather Mahoney) the frightened outsider Meg and her brother, with charming friend Calvin (Chris Helder) are transported by “tesseract” (a folding of space/time) into a quest to rescue their missing father. There are challenges, pitfalls and fantastical and scary creatures along the way, but Meg faces her fears, and triumphs through the unwavering force of love. 
WRINKLE is recommended for audiences aged 10 and above, as it may be too scary for younger kids — and it runs an hour and 45 minutes without intermission. It continues through next weekend in MSU’s ARENA theatre, on the lower level of the Auditorium Building, Farm Lane entrance.

https://www.whartoncenter.com/events/detail/dot-a-wrinkle-in-time 
Saturday, March 16, 2019 at 8:00pm
*Sunday, March 17, 2019 at 2:00pm
Tuesday, March 19, 2019 at 7:30pm
Wednesday, March 20, 2019 at 7:30pm
**Thursday, March 21, 2019 at 7:30pm
Friday, March 22, 2019 at 8:00pm
Saturday, March 23, 2019 at 2:00pm
Saturday, March 23, 2019 at 8:00pm
Sunday, March 24, 2019 at 2:00pm

* Director Pre-Show Discussion on Sunday, March 17, 2019 @ 1:15pm
** Post-Show Discussion on Thursday, March 21, 2019. (Following the performance)
General Admission $15.00
Seniors and Faculty $13.00
Students $10.00


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Review: Grease (MSU)

4/16/2016

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MSU harks back to 1959 with the original version of version of GREASE, the musical, which opened on Broadway in 1971. It’s a little rougher and raunchier than the 1978 movie and recent live version on Fox TV — suggesting, as dramaturg Karen Vance points out in the program, "both an homage and gritty commentary on a unique era of American teenage history” as working class teenagers navigate the rocky road of peer pressure, identity and values. Still, it’s joyful and exuberant, showcasing great voices and wonderful dancing that evokes the era and kicks it up a notch with acrobatics and imaginative moves. Kudos to director/choreographer Brad Willcuts.

All voices are great, and several of the guys put Frankie Valli to shame with their soaring falsettos. Music Director Dave Wendelberger conducts and plays keyboard in a rockin’ 7-piece combo. The set (Lex Van Blommenstein) is somewhat dingy and vacant, suggesting a high school that could use a rise in tax millage, but versatile with rolling pieces that make plenty of room for dancing, and the coveted car “Greased Lightning.” 

Highlights included an energetic, acrobatic, tough-yet-vulnerable Danny played by Lukas Jacob. Sandy (Shelby Antel) was appropriately prim and dreamy, before she absorbed the gospel according to Rizzo (a powerful Katlyn Wilson “There Are Worse Things I Could Do”) and makes her transformation. A high point was the FABulous Blaine Mizer as an unexpected version of Teen Angel that foreshadowed a dash of David Bowie. He ruled the stage for his “Beauty School Dropout” number.

GREASE continues on the Pasant Stage at MSU’s Wharton Center:

Saturday, April 16, 2016 at 2:00pm
Saturday, April 16, 2016 at 8:00pm
*Sunday, April 17, 2016 at 2:00pm
Wednesday, April 20, 2016 at 7:30pm
**Thursday, April 21, 2016 at 7:30pm
Friday, April 22, 2016 at 8:00pm
Saturday, April 23, 2016 at 2:00pm
Saturday, April 23, 2016 at 8:00pm
Sunday, April 24, 2016 at 2:00pm

*   Director Pre-Show Discussion, Sunday, April 17, 2016, 1:15.
** Post-Show Discussion on Thursday, April 21, 2016. (Following the performance)
 
Tickets are available from the Wharton Center Box Office; 1.800.WHARTON; www.whartoncenter.com.
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