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Taking Shakespeare

5/28/2017

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THANKS to Guest Reviewer T.E. Klunzinger for the following. Can’t wait to see this show next week.

TAKING SHAKESPEARE
by T.E. Klunzinger
 
As you watch the excellent production of Taking Shakespeare by Canadian playwright John Murrell at the Williamston Theatre, you might think, “Haven’t I seen this before?”: Experienced mentor takes disinterested student under his/her wing and they both change, for the better. Well yes, but under Mary Job’s skilled direction, this show makes it all seem fresh again.
 
The premise: slacker-dude Murph (Michael Lopetrone), 24 and just kinda starting college, is sent by his mother, a Dean, for tutoring in the study of Othello by the Prof (Terry Heck), a 35-year veteran of teaching Shakespeare on this campus and its academic politics. They meet in her small apartment and of course don’t hit it off right away.
 
Also of course, over the course of the next several weeks (several scenes), she begins to believe in his ability to “get it” and he warms to the subject, and to her. Although he doesn’t have much personal history, she certainly does, not all of which we fully realize, and then it develops that her teaching job is in peril even though she has tenure. So toward the end, the student provides a kind of emotional support for his mentor.
 
Mr. Lopetrone bristles with focused energy but seems almost too intelligent to be Not Getting It as the script would have it. On the other hand, dumbing down the character might produce unwanted laughs and in any event all this was undoubtedly considered in rehearsal.
 
Ms. Heck is near-perfection as the seemingly cranky Prof who in reality is doing a reasonably good job of masking regret about certain aspects of her life. And she is transcendently glorious in one brief sequence as Othello himself, grandly gesturing about in a fabulous character robe.  
 
True, you’ll probably learn more than you want to know about Othello, but the playwright weaves his script seamlessly between that one and the story you see playing out before you.
 
Almost a third character in the play is the ever-present coffee pot which is made to brew several times, producing that wonderful coffee smell to permeate the audience. Kinda made me want to reach for my cup now and then.

Taking Shakespeare continues through June 18
http://www.WilliamstonTheatre.org

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GEEKED!

5/13/2017

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GEEKED is a clever and comic buffet with five courses of tasty twisted fun. You do NOT have to be a “gamer” or math-nerd to appreciate these script-lets, though such folks may find an extra laugh or two between the lines. Like last year's “Secrets” collection, “Geeked” features a lot of humor, with a few heavier hints at the universal foibles of human nature. 


Alex Dremann’s “The Physics of Now” featured unnervingly helpful(?) time-travel warnings. Scott Mullen’s “Cow” seemed more about bananas than the Cow… and super-heroines were involved. Jack Karp’s "Superiority Complex” was my favorite, with a neurotic Superman under the care of his wonderfully bizarre psychiatrist (Steve Ledyard) whose reactions to his patient were priceless. John Weagley’s “Betrayal Among the Grinning Gators” did a fun take on a couple’s impassioned preoccupation with a video game and the nature of betrayal. Terry Palczewski’s “What We Do” offered a nuanced “job interview” competition clashing gamer with nerd, with a Goth Girl caught between.

Directors Jeff Croff and Nicole Cline have led a talented group of actors, each taking multiple roles: Jennifer Lowe, Rebecca Williams, Storm Boyer, Ben Guenther, and Richard Kopitsch, as well as the aforementioned, hilarious Steve Ledyard. 

Ixion Theatre has obviously found a way to cast a wide net in soliciting scripts for its last-show-of-the-season themed-short-script collection. Only one of the Geeked authors, Terry Palczewski, is from the Lansing area. The others have more far flung resumés and awards. 

And the tradition continues:

PLAYWRIGHTS are encouraged to come up with no-more-than-15-page scripts on FEARS AND PHOBIAS for next season, each with no more than four actors, a simple or abstracted setting, to be submitted to [email protected] with only the first initial and last name of the author and no bios included. Deadline 5pm September 30, 2017.

GEEKED repeats tomorrow (Sunday) at 7 and next Saturday 8pm and Sunday 7pm at the Robin Theatre 1105 S. Washington in Reo Town. $15 at the door; general seating, so get there early for best seats — and speaking of seats the chairs are hard, so bringing a cushion is not a bad idea — even though this fun-fest is not a long sitting: only about an hour and 15 minutes, without intermission.


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Fool for Love

5/12/2017

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Fool for Love turns Riverwalk’s Black Box Stage into a bleak hotel room in the Mojave Desert, and introduces us to lovers doomed, as only playwright Sam Shepard can doom them. Eddie (Dale D. Hills) arrives to convince May (Iris Raine Paul) to run off with him. She refuses, though she is clearly bound to him in spite of herself — and the emotional seesaw of conflicting stories and motives begins.

Director Ronald Auther leads this group through a gamut of emotions, haunted by their pasts, and the ghost (?) of their mutual father (Tim Perry). As Ron observes in his director’s note, this play “addresses the visible remains of chaotic lives run amok.”  

Extra credit goes to Iris, who took over his emotional role with abbreviated rehearsal time. Tim Perry earns points for looking like he might actually be the father of Dale, and we welcome this new face, in his first stage appearance since high school. May’s date Martin (Steve Lee) is an unwitting bystander, sharing the audience’s bewilderment at the jealous, destructive Eddie and May. I found Dale’s Eddie the most convincing, expressing a wide range of moods and emotions.

This drama is a short but intense look into troubled minds. There is no intermission and the play lasts only about an hour.

Fool for Love continues through May 21. The Black Box was nearly full tonight, so reservations and arriving early (general seating) is advised. 
Reservations 482-5700
http://www.riverwalktheatre.com 

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Man of La Mancha

5/6/2017

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There's a reason MAN OF LA MANCHA is a classic. It celebrates the indomitable idealism of the human spirit, in pursuit of whatever "impossible dream" and its ability to inspire and transform us.
 
Director Linda Granger (with her trusty assistant Jan Ross) managed "a talented and hard-working cast and crew of 54 people" to bring La Mancha to the Waverly East stage. With the help of choreographer Fran Ludington and fight choreographer Austin Elieff they brought this world to life. Kudos to Music Director James Geer and his 5-piece orchestra.

Inspired by Miguel de Cervantes’ seventeenth-century masterpiece, Don Quixote, Dale Wasserman's Man of La Mancha is a play within a play within a dungeon beautifully designed by Tom Ferris. With the help of dramatic lighting (Jim Lorenz) and some ominous sounds by Darryl Schmitz, it becomes a myriad of locales and states of reality/illusion. Chris Kennedy's beautiful costumes complete the picture.

The celebrated score (music Mitch Leigh; lyrics Joe Darion) includes “The Impossible Dream,” “I, Don Quixote,” “Dulcinea,” “I Really Like Him,” and “Little Bird.”  It's hard not to sing along. My personal favorite is Padre Bill Henson's angelic "To Each His Dulcinea." 

Marty Underhill led the cast as the nuanced title character, blending heroics and tender romanticism with a beautiful voice. Bobby Maldonado bubbled with humor and devotion as his squire, Sancho. Rachel Mender brought a tough take on the embattled kitchen wench Aldonza trying to make sense of the idealized "Dulcinea" identity with which Don Quixote elevates her.

The muleteers wer macho and menacing (Ed Baker, Leo Poroshin, Caleg Liggett, Rocky Heuft, Tom Webb and Stephen Clark—plus newcomer Jake Przybyla who showed off an impressive voice as Anselmo. Kelly Sandula-Gruner, Dan Templin, and Charlotte Ruppert shone in featured roles and the fun song, "I'm Only Thinking of Him" - and Dave Sincox was a melodious and jovial innkeeper/governor.

Man of La Mancha continues tomorrow, Sunday Box Office opens at 1:00 pm
Dessert only on Sunday is served at 1:30 pm; Show begins at 2:00 pm

Next Friday and Saturday; Box Office opens at 6:00 pm; Dinner (lasagne, salad, cheesecake) is served at 6:30 pm; 

Show begins at 7:30 pm

All seats for dinner and the show are by reservation only. Reservations must be made at least three days in advance of the performance to guarantee a dinner seating. 

Regular musical with dinner is $39 ; 
show only is $18
Reservation phone  (517) 599-2779.
more info at http://www.starlightdinnertheatre.com



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