A six-person onstage combo serves as orchestra, and blends into the corner of the homey diner with musicians interacting as part of the ensemble. Gynecologist’s office and unhappy-home-with-abusive-husband settings slide magically in and out as needed. Director Diane Paulus and choreographer Lorin Latarro move the talented cast in all directions. I particularly appreciated the over-the-top but somehow tasteful multiple-couple sex scene as well as the acrobatic gyrations of nervous dream-date Ogie.
Ogie (Jeremy Morse) was a highlight, as was his partner oddball-waitress Dawn (Lenne Klingman). Bryan Fenkart was adorably awkward and charming as Mr. Almost-Right Dr. Pomatter, highlighted by his Nurse-with-Attitude played by Maiesha McQueen. Jenna’s other waitress ally Becky (Charity Angél Dawson) was a powerhouse singer, bringing wisdom and humor, especially in her relationship with diner boss Cal (Ryan G. Dunkin) both masters of “the look” that speaks volumes. Larry Marshall was the right balance of persnickety and benevolent as that special customer Joe. Nick Bailey was appropriately boorish and inconsiderate as Jenna's abusive husband. Desi Oakley was the star, as Jenna — mixing beauty, humanity, confusion, fear, hope and strength into this multi-dimensional character.
The cherry on top of this show was the adorable local 4-year-old, Callie Rodgers as Jenna’s daughter. She spoke her lines with confidence, and charmed us all in the final scene. (Another local girl, Viviian Southwell, will appear in this role on Thursday, Friday, Saturday matinee and Saturday evening.)
Don’t miss Waitress and it’s litany of imaginative pie names/recipes. (If you’re close enough or have binoculars, notice the fun menu items posted in the diner.)
Waitress continues at Wharton’s Great Hall through Sunday.
http://www.whartoncenter.com