The Lebowsky Center for Performing Arts is pleased to announce auditions for two upcoming musicals, Anastasia and Next to Normal.
Auditions will be held Tuesday, December 19 and Wednesday, December 20 at the Lebowsky Center. Doors will open at 6:30 p.m., with auditions starting at 7:00pm.
Auditions are open to performers ages 8 and up for Anastasia, and ages 15 and up for Next to Normal. Both shows will be directed by Lebowsky Center Artistic Director Garrett Bradley. Those attending auditions are asked to fill out a google form ahead of time to help facilitate scheduling on audition days.
All performers only need to attend one day.
Additional details for each musical, including performance dates, audition requirements, and show/character descriptions, can be found below. Please read through each description thoroughly before submitting your google form.
https://forms.gle/6cXBE86pM6sstq8M6
If you are not able to attend or have additional questions, please reach out to Artistic Director, Garrett Bradley, at mailto:[email protected]. Audition information for Murder on the Orient Express will be announced at a later date.
Anastasia
Inspired by the beloved film, Anastasia transports the audience from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
Illuminating the mysterious legend that arose out of actual events, the show provides a soaring score that includes song favorites from the hit animated film, such as “Journey to the Past” and “Once Upon a December.” Anastasia is the spectacular new musical about discovering who you are and defining who you are meant to be.
Performance Dates: February 23, 24, 25, March 1, 2, 3 (8 performances).
Rehearsals Begin: January 3.
Ages 8-12: Those who audition will learn a dance combination first. The director may request everyone to learn a short vocal selection together. Only a small ensemble of 6-10 performers will be selected from this age range. Those interested in auditioning for Little Anastastia should prepare a brief acapella solo.
Ages 13- Adult: Those who audition will be asked to sing a brief prepared selection, preferably with sheet music. Make sure your song is under one minute long and preferably not a song from the show you are auditioning for. Directors recommend singing one verse and a chorus of a song, as this is typically just the right length. An accompanist will be there at 6:30 to work through songs for those who bring music.
Everyone will be asked to learn a dance combination and may be asked to read sides from the script.
Those auditioning for both Anastasia and Next to Normal may be asked to sing 2 contrasting selections.
CHARACTER DESCRIPTION
Anya
Brave, fiery, witty, and above all determined. With no memory of her life before age 17 and having lived through the horrors of the Russian Revolution, Anya jumps at the sound of gunshots and is distrustful of strangers. Anya is strong-willed and compassionate. All that she knows is her family is in Paris and she will find them however she can. Disney-esque soprano or mezzo; some movement required.
Dmitry
A scoundrel with a heart of gold. A street rat who grew into a conman, He does all he does to get out of poverty and is not above lying, cheating, and stealing to do so–that is until he meets Anya. What starts as just another scheme turns into the adventure of a lifetime. Bari-tenor; some movement required.
Vlad
Dmitry’s partner in crime and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. Comic baritone; strong mover.
Gleb
A member of the Chekist secret police; a zealot with tremendous intensity and a dangerous charisma. As the play progresses, we see him rise in power and position within the political party; he is in love with Anya but would not be above killing her if necessary. baritenor; no movement required.
Dowager Empress
The formidable and imperious grandmother of Anastasia; Anastasia is her favorite grandchild and she loves her with all her heart. She never truly gives up the belief that her granddaughter might be alive, but finally after years of enduring Anastasia pretenders, she becomes hardened and bitter; it is only when she meets Anya that her old spirit begins to return. She commands authority and attention the minute she enters a room. Alto/Mezzo; no movement required.
Countess Lily
The lady in waiting to the Dowager Empress. She has been by the Dowager’s side since before the revolution. Lily is clever, dutiful, and above all fun. She deals with her exile from Russia with a sort of resigned dark humor...and a LOT of vodka. She and Vlad were once an item and rekindle their romance upon re-uniting. Alto/Mezzo; strong dancer.
Tsar Nicholas
A loving father. Elegant. He tries to keep the peace between his mother, the Dowager Empress, and the Tsarina. As his youngest daughter grows into a young woman, he protects and guides her.
Tsarina Alexandra
A stern mother. Very devout, brittle, paranoid about the collapsing regime and grief-stricken about the health of her son, the Tsarevich. Uncomfortable around her mother-in-law.
Young Anastasia (Age 8-11)
The daughter of the Tsar of Russia. A sweet and impressionable young princess.
Alexei Romanov (Age 9-13)
The son of the Tsar of Russia and the youngest of five siblings.
Count Ipolitov
A dignified White Russian and intellectual, grief- stricken about leaving his homeland. Authoritative and formidable.
Count Leopold
He’s one of the presumptive Romanov heirs; a snob; a bit of a fop.
Ensemble
Many featured roles with speaking/singing solo lines. features.The Ensemble play the Romanov family, Townsfolk, Royal Servants, Bolshevik Officers and Soldiers, Parisians, Reporters, and Aristocrats. This production features a large adult ensemble that play critical roles in many scenes/songs.
Next to Normal
This Pulitzer Prize-winning, contemporary musical invites audiences into the minds and hearts of the Goodmans, a suburban family struggling with the effects of mental illness. This brave and breathtaking story features an unforgettable rock score by Tom Kitt and original book and lyrics by Brian Yorkey. This truly authentic piece of musical theater goes where few can with honesty and conviction.
Performance Dates: June 14-16, 21-23 (6 performances).
Rehearsals Begin: Spring 24 TBD
Ages 15- Adult: Those who audition will be asked to sing a brief prepared selection, preferably with sheet music. Make sure your song is under one minute long and preferably not a song from the show you are auditioning for. Directors recommend singing one verse and a chorus of a song, as this is typically just the right length. An accompanist will be there at 6:30 to work through songs for those who bring music.
Everyone may be asked to learn a short movement combination.
Those auditioning for both Anastasia and Next to Normal may be asked to sing 2 contrasting selections.
CHARACTER DESCRIPTION
Diana Goodman
Your average American suburban mom on the surface who is tormented by loss and trying to heal her unresolved trauma. Diagnosed bipolar depressive with delusional episodes. A dynamite leading lady with exceptional emotional availability and a dynamic pop/rock belt.
Dan Goodman
Diana’s husband. Your average American family man on the surface who is conflicted about his marriage on the inside and struggling to maintain the illusion of a perfect family. A commanding leading man with a large dramatic range and a strong pop/rock voice.
Natalie Goodman
Diana’s daughter. Your typical teenage high school girl on the surface who is struggling to cope with her mom’s mental illness. Chronic overachiever, emotionally neglected, and talented pianist. A girl-next-door full of angst and charm with a powerful pop/rock sound.
Gabe Goodman
Diana’s son. Dashing, athletic, and bright. He is a playful man and everything a mother could imagine. A dangerous, commanding stage presence with a stellar pop voice.
Henry
Natalie’s new boyfriend. Your typical high school stoner who cares deeply for Natalie and the planet. Charming and sympathetic. An open-hearted actor with strong comedic timing and a strong pop/rock voice.
Dr. Fine/ Dr. Madden
Diana’s first psychopharmacologist and Diana’s persuasive and primary psychiatrist. Experienced, personal, and committed to Diana’s treatment through alternative methods like hypnosis and electroshock therapy. Occasionally turns into a rockstar in Diana’s mind.
Auditions will be held Tuesday, December 19 and Wednesday, December 20 at the Lebowsky Center. Doors will open at 6:30 p.m., with auditions starting at 7:00pm.
Auditions are open to performers ages 8 and up for Anastasia, and ages 15 and up for Next to Normal. Both shows will be directed by Lebowsky Center Artistic Director Garrett Bradley. Those attending auditions are asked to fill out a google form ahead of time to help facilitate scheduling on audition days.
All performers only need to attend one day.
Additional details for each musical, including performance dates, audition requirements, and show/character descriptions, can be found below. Please read through each description thoroughly before submitting your google form.
https://forms.gle/6cXBE86pM6sstq8M6
If you are not able to attend or have additional questions, please reach out to Artistic Director, Garrett Bradley, at mailto:[email protected]. Audition information for Murder on the Orient Express will be announced at a later date.
Anastasia
Inspired by the beloved film, Anastasia transports the audience from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
Illuminating the mysterious legend that arose out of actual events, the show provides a soaring score that includes song favorites from the hit animated film, such as “Journey to the Past” and “Once Upon a December.” Anastasia is the spectacular new musical about discovering who you are and defining who you are meant to be.
Performance Dates: February 23, 24, 25, March 1, 2, 3 (8 performances).
Rehearsals Begin: January 3.
Ages 8-12: Those who audition will learn a dance combination first. The director may request everyone to learn a short vocal selection together. Only a small ensemble of 6-10 performers will be selected from this age range. Those interested in auditioning for Little Anastastia should prepare a brief acapella solo.
Ages 13- Adult: Those who audition will be asked to sing a brief prepared selection, preferably with sheet music. Make sure your song is under one minute long and preferably not a song from the show you are auditioning for. Directors recommend singing one verse and a chorus of a song, as this is typically just the right length. An accompanist will be there at 6:30 to work through songs for those who bring music.
Everyone will be asked to learn a dance combination and may be asked to read sides from the script.
Those auditioning for both Anastasia and Next to Normal may be asked to sing 2 contrasting selections.
CHARACTER DESCRIPTION
Anya
Brave, fiery, witty, and above all determined. With no memory of her life before age 17 and having lived through the horrors of the Russian Revolution, Anya jumps at the sound of gunshots and is distrustful of strangers. Anya is strong-willed and compassionate. All that she knows is her family is in Paris and she will find them however she can. Disney-esque soprano or mezzo; some movement required.
Dmitry
A scoundrel with a heart of gold. A street rat who grew into a conman, He does all he does to get out of poverty and is not above lying, cheating, and stealing to do so–that is until he meets Anya. What starts as just another scheme turns into the adventure of a lifetime. Bari-tenor; some movement required.
Vlad
Dmitry’s partner in crime and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. Comic baritone; strong mover.
Gleb
A member of the Chekist secret police; a zealot with tremendous intensity and a dangerous charisma. As the play progresses, we see him rise in power and position within the political party; he is in love with Anya but would not be above killing her if necessary. baritenor; no movement required.
Dowager Empress
The formidable and imperious grandmother of Anastasia; Anastasia is her favorite grandchild and she loves her with all her heart. She never truly gives up the belief that her granddaughter might be alive, but finally after years of enduring Anastasia pretenders, she becomes hardened and bitter; it is only when she meets Anya that her old spirit begins to return. She commands authority and attention the minute she enters a room. Alto/Mezzo; no movement required.
Countess Lily
The lady in waiting to the Dowager Empress. She has been by the Dowager’s side since before the revolution. Lily is clever, dutiful, and above all fun. She deals with her exile from Russia with a sort of resigned dark humor...and a LOT of vodka. She and Vlad were once an item and rekindle their romance upon re-uniting. Alto/Mezzo; strong dancer.
Tsar Nicholas
A loving father. Elegant. He tries to keep the peace between his mother, the Dowager Empress, and the Tsarina. As his youngest daughter grows into a young woman, he protects and guides her.
Tsarina Alexandra
A stern mother. Very devout, brittle, paranoid about the collapsing regime and grief-stricken about the health of her son, the Tsarevich. Uncomfortable around her mother-in-law.
Young Anastasia (Age 8-11)
The daughter of the Tsar of Russia. A sweet and impressionable young princess.
Alexei Romanov (Age 9-13)
The son of the Tsar of Russia and the youngest of five siblings.
Count Ipolitov
A dignified White Russian and intellectual, grief- stricken about leaving his homeland. Authoritative and formidable.
Count Leopold
He’s one of the presumptive Romanov heirs; a snob; a bit of a fop.
Ensemble
Many featured roles with speaking/singing solo lines. features.The Ensemble play the Romanov family, Townsfolk, Royal Servants, Bolshevik Officers and Soldiers, Parisians, Reporters, and Aristocrats. This production features a large adult ensemble that play critical roles in many scenes/songs.
Next to Normal
This Pulitzer Prize-winning, contemporary musical invites audiences into the minds and hearts of the Goodmans, a suburban family struggling with the effects of mental illness. This brave and breathtaking story features an unforgettable rock score by Tom Kitt and original book and lyrics by Brian Yorkey. This truly authentic piece of musical theater goes where few can with honesty and conviction.
Performance Dates: June 14-16, 21-23 (6 performances).
Rehearsals Begin: Spring 24 TBD
Ages 15- Adult: Those who audition will be asked to sing a brief prepared selection, preferably with sheet music. Make sure your song is under one minute long and preferably not a song from the show you are auditioning for. Directors recommend singing one verse and a chorus of a song, as this is typically just the right length. An accompanist will be there at 6:30 to work through songs for those who bring music.
Everyone may be asked to learn a short movement combination.
Those auditioning for both Anastasia and Next to Normal may be asked to sing 2 contrasting selections.
CHARACTER DESCRIPTION
Diana Goodman
Your average American suburban mom on the surface who is tormented by loss and trying to heal her unresolved trauma. Diagnosed bipolar depressive with delusional episodes. A dynamite leading lady with exceptional emotional availability and a dynamic pop/rock belt.
Dan Goodman
Diana’s husband. Your average American family man on the surface who is conflicted about his marriage on the inside and struggling to maintain the illusion of a perfect family. A commanding leading man with a large dramatic range and a strong pop/rock voice.
Natalie Goodman
Diana’s daughter. Your typical teenage high school girl on the surface who is struggling to cope with her mom’s mental illness. Chronic overachiever, emotionally neglected, and talented pianist. A girl-next-door full of angst and charm with a powerful pop/rock sound.
Gabe Goodman
Diana’s son. Dashing, athletic, and bright. He is a playful man and everything a mother could imagine. A dangerous, commanding stage presence with a stellar pop voice.
Henry
Natalie’s new boyfriend. Your typical high school stoner who cares deeply for Natalie and the planet. Charming and sympathetic. An open-hearted actor with strong comedic timing and a strong pop/rock voice.
Dr. Fine/ Dr. Madden
Diana’s first psychopharmacologist and Diana’s persuasive and primary psychiatrist. Experienced, personal, and committed to Diana’s treatment through alternative methods like hypnosis and electroshock therapy. Occasionally turns into a rockstar in Diana’s mind.
RSS Feed
